ArizonaGT
Road Course Member
Is this a joke?Apparently you haven't heard of a 'lower center of gravity'
Is this a joke?Apparently you haven't heard of a 'lower center of gravity'
THIS.Well, one advantage of coilovers will be once you realize how screwed up handling is after you slam it, you can adjust it back up without having to buy new parts and swap everything out..
LMFAO
I can let go the possible misled word choices, but it was WHO you said it to that made it an instant classic.
Congratulations! You have just joined the "Random Asshole seal of approval." Join the club. We meet every Friday night at the local tavern and -block our friends for the sheer comedic value.
I've got a knack for coming off the wrong way, myself. So much that I should try to find a career in it, cause I'd make millions.
No hard feelins, we all make mistakes. lol. Just remember this is a big boy forum.
There are too many rediculous things said in this thread. Too many for me to even justify spending time picking it apart. So I'll pick one. RACE CARS ARE SPECIFICALLY BUILT TO BE THAT LOW AND THEY WOULDN'T FARE WELL ON THE STREETS. Take a look at the Cadillac CTS-V race cars. There is no way you can drop a street caddy that low without cutting the rocker panels down. (among other things listed by sgDave)
If you want mad drop, but don't wanna destroy your ride quality and enjoyment of your car...has anyone suggested AIR SUSPENSION! I've dropped my car with a eibach-pro kit and shorter tires and I scrape ALL THE TIME. So much that I almost hate driving it in the city. In order to get over those 4 foot long speed bumps, I have to ride the clutch and the brake to got at a controlled .2mph. (and still barely scrape the mid muffler clamps)
I can't even get the car up in the air without running over a phone book first. Keep in mind this is only like a 1.3 inch drop (plus maybe .3-4in with the tires?)
How fast can you adjust a coil over suspension? Are you going to get out in the rain and adjust your ride height just trying to get into a parking garage? Lookup air-ride technologies or something.
I'm gonna have a couple beers and forget this thread existed. Useless.
Comes down to if you truly want or NEED the height adjustment of rate change options. Frankly I thinkadjustable dampers and bars are more helpful to dialing in the car and can pull some high g nubmbers on lowering springs. Can pull 1.2 on Hoosiers on narrower rims and narrower tires than what some others use to pull similar numbers with $5k in parts installed....
Dave,
How can I give my kick drum more punch and get my toms more fat and wet?
Well this thread got drug off line. Dave--what's the deal with the clutch? Never heard from your guy for a new one, so is everything good with the current one?
That was pretty damned impressive Dave! I don't have a clue how correct it is, but I'm willing to bet you're dead nuts on the money! Ya, I'm off topic but I couldn't resist. Besides, I think we lost the OP many moons ago.ANCIENT CHINESE SECRET!!!
1) Proper mic choice and mic placement; and yell at the drummer to tune it right. If you're looking for more definition on the kick, try putting the mic a little further in, and aimed directly at the beater. If you're looking for more "fat," in the sound, try pulling the mic back from the beater head, like to even with the hole in the resonant head, and angle it down a touch, midway between the beater (falam slam pad) and the edge of the shell. For the ultimate, though, double-mic the bitch. Shure SM91 for the top and bottom, and then your mic of choice (D112/B52/M88/RE20) for the meat range. You MAY need to reverse polarity on one to make the waveforms line up, but other than that, you can vary the blend between the two to get virtually any kick "picture" that you want.
2) "The number of gates in an engineer's rack is inversely proportional to the grey hairs on his head." For the toms, if you want FAT and WET, you'll need to gate. My weapon of choice is the Drawmer DS501, but any of the good ones from Drawmer, BSS or KT would do the trick nicely. FIRST, though, you need to start with toms that sound good! That's the drummer's job. There is no way to turn "blop" into "BOOM!" if you follow. for thicker tom sounds, I like dynamic mics, like the Sennheiser E904 or the EV PL408, and get them close to the head to gain the proximity effect. Once you have them sounding as good as you can with tuning, placement, and maybe a dash of strip EQ, then gate them, shooting for as loose a gate as you can while still maintaining separation. Low threshold, quick attack, no hold, moderately long release, fairly shallow gate depth (-12 or so) and spend some time with the key filters to get the threshold down even further, without false-triggering from adjacent toms. After that, spin up a good 'verb, and you're home free. I like the TC M3000 or Yammi SPX2000 for that. Find a nice, fat dark plate, and play with gating the verb a bit. That lets you run a longer RT60 time without it cluttering the mix.
3) Hey, you asked... ;-)